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The Naked Bookshelf Problem
March 15, 2008


I’m a sucker for magazine, newspaper and online articles or books about arranging books, organizing books, cleaning books, decorating with books. It’s not that I need that kind of help. I don’t arrange my books so much as I simply try to find room for them, preferably on the bookshelves. But I enjoy the way these articles and books entertain me by making me laugh, groan or occasionally even utter an impressed “Hmm.”

Among the mail waiting for me when I stopped in at the post office last week was a new book, The House Always Wins: Create the Home You Love—Without Busting Your Budget. I’m not a home decorating fiend, but I am always happy to take my mother’s used copies of Architectural Digest. It’s an odd pleasure to page through pictures of homes so meticulous as to be almost hostile to their human owners. But one of the most intriguing things for me about AD is that most of the people whose homes are featured apparently don’t read. I rarely see bookshelves or when I do they never seem to contain real books, the kind that are actually read. Instead, books that appear in AD appear to have only one function: tasteful display either in a private library or on a coffee or side table. The former tend to be leather-bound volumes that look great, but far too neat; the latter tend to volumes so esoteric that you know they were chosen solely for snob appeal. 

The House Always Wins is not like that. In a way, it’s nearly the exact opposite. A quick glance through its contents turned up a chapter titled “Arranging Books, Collections, and Other Knickknacks.” My first thought was “Books are knickknacks?” Am I really supposed to think they are on the same level as that long gone ceramic dolphin I once brought home from Sea World’s gift shop? What made me really laugh, though, was the opening line: “So I’m . . .” and that’s as far as I got before I knew this was no AD. Architectural Digest articles begin with sentences like this (from the February 2009 issue): “Like a Noel Coward play, the residence had a distinctly 1930s elegance.” Contrast that with the first line of the aforementioned chapter: “So I’m at this fashion show fundraiser, and this runway model sashays down the aisle with a skirt so sheer you can see her underwear—what there is of it.”

What interested me in this book was the chapter on books. I don’t buy books for their looks or their awe-inspiring quotient. I buy books to read. Not surprisingly, my slightly messy shelves reflect that.

Most passionate readers are probably like me. I know my friends are. Lynn, for example, has so many books that they literally spill out of the numerous bookcases crammed in her house. On the day her son left for college, she began eyeing his room with a certain lustful eye. He actually begged her to at least leave his bed in there. And Nicki Leone, managing editor of BiblioBuffet, does have her books categorized but, not surprisingly, also has a fair amount of overflow and thus stashes of books in various places including the floor. None of us mind our casual systems, and in fact take some pride in the use of books as books rather than decorations.

Decorators, though, seem to abhor the messiness that readers love. So does the author of this book, Marni Jameson, a home-design columnist, who claims to love her books even though “many are ugly.” Uh, ugly? My eyebrows shot skyward.

“But books to me are like friends,” she continued. “I don’t judge them by their covers even if they do have red ‘USED’ stickers on them left over from their college days.” Ah, okay, that’s good news; we agree. However, she then goes on to discuss a recent experience with two designers, and this is where I found myself growing more skeptical about home design. (To be fair, her experience seems to be common. Bring a home decorator into a bibliophile’s home, and one of the first things they want to do is “arrange” the books—as Jameson soon found out.) Format and size took priority. Paperbacks were relegated to the farthest back position on the highest shelf. Hardcovers by the same author were “blown like pollen all over the room.” The jackets did stay on the books—but not by decorator choice. And the bookshelves were purged sufficiently to hold to other objects, a design principle that produces “artful” in the same way high-heeled shoes produce a nice womanly curve to the leg. In other words, beauty over convenience.

As a flat-shoe woman myself I refuse to adhere to this design principle. Well, I might if the shoes didn’t reset my spine and toes into abnormal positions and if I had enough money and room in my house to actually have space on my bookshelves—but heeled shoes do, and I don’t.

Actually, though, Jameson has some good ideas and she does talk about real books. Not everyone does, and probably the strangest aspect of “decorating with books” is the business of decorative books. These are books sold and bought solely to fill up “space.” Any number of places, including the famous Strand bookstore in New York City, sell these books-by-the-foot (or yard). Many decorators are great believers in these, but Book Décor has probably the greatest justification for its products I have ever seen:

Many people feel that it's silly to purchase books for pure decorative value. While we certainly understand this, we also savor the opportunity to change the mind of such individuals! Our books are so beautiful on the outside that their interior ceases to be important. What's more, they are available for purchase by the foot as well as the yard. In other words, no more spending hours in used bookstores looking for space fillers. At Book Décor, this process takes a matter of seconds!
 
Decorative books are an ideal solution to the naked-bookshelf problem. In order to create an extraordinary home library, one must have a tremendous collection of books. Face the facts: most of the people who visit a home library don't actually read the books. Similar to silver tea sets, home study books are there for appearances only.
This company not only boasts that it eliminates “the hassle of having to shop for books” but it also prides itself on books—I can hardly believe this—“so beautiful on the outside that their interior ceases to be important.” What can possibly be said in response to that?

What if, however, you do like the idea of decorating with books? Well, here are some ideas (not all of which I agree with). First, from Book Décor, to whom I will grudgingly grant some credit for these artful if not entirely practical ideas: “Arranging books side-by-side is certainly orderly but not too creative. Try alternating side-by-side arrangements with stacked displays. . . . For something even more unique, display non-decorative books backwards, ornamental volumes forwards, and then alternate shelves.”

Finding suggestions for decorating with books for real readers and book lovers was not difficult online, but it seemed that after a while they were all the same. It’s not surprising. There are some good ideas, but there’s also only so much you can do with books as decoration if you want to be able to read the books as well. Note that several of these ideas assume you have empty space on your shelves, not a good assumption in a book lover’s home:
Decorate hallways and stairwells with books as a way to create atmosphere. Books on travel might work particularly well as these places are used solely for moving between rooms and floors.

Put book spines flush against the front edge of the shelf.

Don’t mix books with photos, put them on separate shelves. All books on one shelf, all photos on the next. Make frames the same material, say all silver or polished wood.

Place accessories next to, not in front of, books.

Think in thirds. If you have the space, arrange shelves so you have one-third books, one-third art objects, one-third open space.
Keep once-read, now-beloved books on high shelves to soften the intersection between wall and ceiling and give the room a feeling of enclosure. 

The bathroom can be a place to put books if the idea doesn’t gross you out. While humidity generally does not damage books, don’t put anything valuable here. Your best bets are small format gift books, cartoon collections and poetry.

Stacking books in odd numbers (three, five, etc.) results in a casual look. Going for formal? Use an even numbers of books in a pile.

If you have room on a table or shelf, try displaying a book open to a gorgeous page or inspiring quote. Adding a pretty magnifying glass or bookmark or setting a pair of antique reading glasses nearby can add a touch of artistry. 

One unusual touch that actually has its roots in early chained books, is to turn some of your books spine inward. This would work particularly well if the fore edges were gilded or made of thick, rich paper from earlier centuries. 

Turn some of your books with attractive or arresting covers face out rather than spine out.

When books aren't being read, use them as building blocks in decorative arrangement by selecting color-coordinated books to serve as a base for plants or other decorative props.
Use a bookcase or a shelf or two as a themed display. If you are a mystery lover, for example, consider interweaving collectibles that relate to your preference within the genre—Victorian, noir, hard-boiled, soft-boiled, cozies, police procedurals, etc. These could include things like an antique ice pick next to a shelf of Victorian mysteries, some antique chemistry bottles with old labels next to a collection of Sherlock Holmes, or a well-used fedora topping off a collection of Sam Spade novels.  

If you have several books with Art Deco, Impressionist or other eye-catching jackets consider an arrangement of them with artifacts, colors, textures or materials of the same feeling.

Grouping books by color produces one of the most beautiful of arrangements when done well. (A collector of the various Penguin editions could produce an extraordinary sight.) Another equally stunning grouping is by strict order of size, especially if the sizing continues all the way across the wall before going down to the shelves below. (The only problem I see with these two is that you either have to stop buying books or plan to spend an unreasonable amount of time rearranging your shelves to accommodate new purchases.)

Make new tables out of books by stacking them to the desired height for a coffee table, an end table, a nightstand or a dining table, then cover them with an appropriately-sized glass top.

Frame whole books especially if you have some of those collectible vintage paperbacks, in shadow boxes. Alternatively, if you have a favorite book, consider buying and separating two copies (so you have the front and back of each page); frame each page in the same simple frame and hang them all on one wall or in one room so you can have the entire book as a solid wall decoration.
Match books you have to other pieces in your home—a book about early television and radio history on top of the television set, a book about 1960s pop culture next to a collection of record albums from that time, or a book about arranging books next to an untidy stack of books on the floor.

Use windowsills as bookshelves along with plants and other good “window” objects.

Create a kind of running board for your room by installing a display shelf about twelve inches below the ceiling (near the top of the doorways) all the way around the room to hold both books and collectibles. 

Or do as Kevin Aeh suggested in “How to Decorate with Books” and (a) get them covered, (b) frame some pages, or (c) turn them into a work of literary sculpture.
For me, though, none of these ideas are likely to happen any time soon. I’m all too often (for any decorator’s taste) moving books to my nightstand or the sofa, or putting new ones in any opening I can find. I am kind of sorry about that because the idea of “artful” shelves appeals to me. So do those two-and-a-half-inch red heels. It’s kind of a shame, really, that I like to read too much and walk too much to take advantage of space and curves. 

Upcoming Book Festivals:
Two book festivals will be taking place next weekend, and they sound great! Charlottesville, Virginia, is hosting the 15th Annual Virginia Festival of the Book from March 18-22. Five days of (mostly) free literary events includes the opening ceremony; readings and book introductions, some with accompanying musical entertainment; an enormous variety of fascinating panel topics for readers, collectors, writers, designers; author breakfasts and luncheons, a story slam, the Book Fair,  a knitting workshop; movie screenings; a playreading; an open house at the Arts of the Book Center; the Links Celebration Brunch; the Authors’ Reception, and the special “Truth, Justice and the American Way: An Evening with John Grisham and Stephen L. Carter.” This festival alone is enough to make me move to Virginia! 

And down in Florida, the 10th Annual Southwest Florida Reading Festival will be held on Saturday, March 21 in Fort Myers. Hosted by the Lee Country Library System, this festival has an excellent line-up of authors (both children’s and adult) and activities for teens, children and adults including the Festival Marketplace, book sales and signings, the eLibrary, the Bookmobile, crafts for children, teen contests, and an aspiring writers contest.
 
The Pub House:
As soon as you click on their home page, you can immediately tell that Quantuck Lane Press publishes gorgeous books. It’s unusual and beautiful at the same time, which is pretty much a good description of their books. Begun in 2000 by a longtime editor at Norton, this press focuses on fine art photography, art and “the eccentric, whether illustrated or not.”

“I want to do books as objects,” he told Publishers Weekly in early 2003. And he has. With forty-five books to date, there is a large selection of stunning and startling beauty of images and words that you likely can’t find elsewhere. Among them are American Genius: Nineteenth Century Bank Locks  and Time Locks, a photographic tribute to the evolution of lock technology; Close to My Heart: An Autobiography by Dorothy Sterling, a twentieth-century activist of note who is still as radical as ever in the twenty-first century; Karma, Dharma, Pudding & Pie, an unusual book of poetry by Philip Appleman and accompanying illustrations by Arnold Roth that uses humor and irreverence to romp through themes such as sex, aging and religion; and Love Song: The Erotic Photographs of Arnold Skolnick, a volume that one critic, upon seeing an small exhibition of the 1970s-era images given at the time, said gives “the forms of two people making love the grandeur and power of sculpture.”

Of Interest:
Joe Hill (son of Stephen King, and a horror writer of note himself) is inaugurating a March-is-love-your-Indie-Bookstore: The Contest. You have the opportunity to win a signed, slipcased copy of Gunpowder (or one of several other books) if you buy or have bought a book at an independent bookstore or publisher, whether online or in person, between March 1 and March 31. Scan or photograph the receipt and e-mail it to him and you’ll be entered. But only once. And be sure to include a shipping address in your submission or your entry might be thrown out. Twelve people have a chance to be winners so go, buy a book, and enter.

This Week . . .
UCLA’s Catalogue of Digitalized Medieval Manuscripts is an amazing site that, without the Internet and the ability to digitalize simply would not be available to most of the world. But it is—and is it worth it! Here you will find an easily navigable way to discover the enormous array of medieval manuscripts now online. You can search by in any number of ways including archive country, city or name, shelfmark, language, text title, author name (first or last), manuscript date, and provenance. The images are of extraordinary quality, and you can see the entire book even if it is 500 pages. If you enjoy the beauty of these extraordinary books, you’ll love this site. 

Until next week, read well, read often and read on!

Lauren

 

 

 
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