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Gulping Down Books
July 20, 2008


This week has been one of self-absorption. I have done little more than read in my free time. At work, breaks and lunch have found me nose-deep in a book each day. When I come home, the cats get their attention, but as soon as they are satisfied books beckon. I have settled into the sofa each night, reading for hours, staying up past my normal bedtime to get one just one more page, one more chapter.

When I did hit the bed, it was with book in hand. The light stayed on. I read even more. Morning—5:15 a.m. for me—found me groaning. I dragged rather than kicked ass at work. I swore I would go to sleep earlier the next night. I did not as again I found myself engrossed in one book after another. I felt as if I needed to keep gulping words or I would starve. “More, more,” my brain kept screaming. So I grabbed. From the review piles, from my bookshelves, from my bedside table.

What were they?

A new release of short stories—not my normal fare but it intrigued me into picking it up—Broccoli and Other Tales of Food and Love by Russian emigrant Lara Vapnyar. This is up for review next week so I don’t want to say too much, except that I enjoyed it immensely. Dining and reading have always been the perfect couple, but Ms. Vapnyar’s rich cultural background, her passion for broccoli, borscht, meatballs, eggs, sex, love, sorrow, cooking and conversation is vivid. Extraordinary!

Reading the OED: One Man, One Year, 21,730 Pages by Ammon Shea is a hilarious, warm and loving tribute to what he terms “the greatest story I’ve ever read.” In a way it had that almost the same extravagant richness as Broccoli and Other Tales of Food and Love, though this book used words and their definitions to satiate my appetite. “Some people collect matchbox cars or comic books,” he writes. “Others collect more obviously valuable things, such as rare paintings or cars. Many of these collections are made up of tangible objects , things to which one can assign some sort of monetary value. I collect words.”

Shea not only collects words but word books, estimating that he has about “a thousand volumes of dictionaries, thesauri, and assorted glossaries . . .” But these are not his collection. Rather they are the tools that enable his collection.

One day he decided to read the Oxford English Dictionary, the greatest of all dictionaries. This book is not a condensation of it, but rather an account of his experience through it. Each letter is a chapter in which he shares his thoughts and some of the words that intrigued him. S, for example, begins this way:

One of the reasons the OED is so wonderfully and excruciatingly long is the thoroughness with which it treats almost every word. Nowhere is this more apparent than in S, which stretches across four of the twenty volumes and takes up more than three thousand pages . . .

Many people believe that the best dictionary is one  with the greatest number of difficult words in it. While treatment of hard words certainly does matter, I think that a much better indication of what makes a dictionary great is how it treats the most common words of the language . . . 

Exhaustive is not quite the right word to describe the OED’s definition of set, as it is the length of a novel, taking up more than twenty-five pages in the OED. Set is the largest entry in the print version . . . It is broken down into hundreds of senses, and most of those senses have various subgroupings that distinguish it even further. This is a word you can spend a week or more wallowing in. 

Though a relatively short book, it will take you longer than sesquihoral to read, but if you have sitzfleisch you will find it to be a swasivious read.

I had begun The Beautiful Cigar Girl: Mary Rogers, Edgar Allan Poe, and the Invention of Murder earlier, but left off at some point until this past week when it called my name. I’ve long been fascinated by Poe, and this particular story intertwining the real life death of a young woman and the story of Poe’s detective, Auguste Dupin who made his first appearance in “The Murders in the Rue Morgue” and continued his appearance in the story, Poe based on the Rogers case, “The Mystery of Marie Rogêt.” This true crime mystery and its role in Poe’s sad and odd life gripped me this time around and didn’t let go.

A category in my library defined as Adventure Books is getting more and more crowded. I seem drawn to these books that take me into places I know, in my most honest confession, I would not personally go, though they pull at the daring part of my soul. I would love to climb Mt. Everest, dive to the deepest, darkest, most dangerous places, spend weeks exploring wild parts of Africa, trek across Siberia. But the part of me that appreciates American bathrooms and convenient electricity is as strong so I content myself with more sane versions. The ultimate levels I find in books such as two I devoured this week—Shadow Divers: The True Adventure of Two Americans Who Risked Everything to Solve One of the Last Mysteries of World War II and Fatal Depth: Deep Sea Diving, China Fever, and the Wreck of the Andrea Doria.

The same boat features in both books, the boat that takes the divers to their respective wrecks as do two of the divers who died. I am not one to stop or even slow down for car accidents, but when I come across descriptions of how the divers died—cables or wires wrapped around their legs, panicked and ultimately fatal shots to the surface for air—or visualize divers “sweeping the sand” in a desperate search for a lost diver I cannot pass it by quickly. I read and reread, feeling the fear, the terror of 225 feet of water above and the ship dangerously out of view almost addictively. These are the two books that kept me up until well after midnight for three nights in a row.

Though I am reaching a point in my life where I am tiring of cooking, I love my Culinaria category. This includes cookbooks and books about food history and culture. Some of these are more for reading than cooking, and Culinaria Spain caught me this past week. It is a huge, coffee table book, probably weighing twenty or more pounds, nearly 500 pages, and with larger dimensions as a dining room chair seat. It’s a gorgeous book, all sunny and golden yellow with a sensuous, perfect orange on the cover.

The book is divided into section for each of Spain’s regions. Glorious, stunning photography of the food, the country, the people and the ingredients blanket the pages. Recipes are given accompanied by clear photographs of the process and the story behind them. About calçotada it says:

There is an art to eating this specialty, which takes a little practice: tip the head back and open the mouth wide, then hold the long white stalk high above you and bring it down between the teeth. A napkin should be tied around the neck before commencing, and this will soon be smeared with blackish trickles. A roof tile serves as a plate . . .

The countryman Xat de Benaiges, from Valls in the province of Tarragona, was the first to grill green onions over a flaming fire instead of a steady glow, about a hundred years ago. It is not recorded whether this was a stroke of genius or a mistake with the fire. Thrift being a Catalan virtue, Xat peeled off the blackened outer layer of the green onion and duly invented the calçot, now popular with locals and tourists alike.
The image of the onions on the black grill with the flames shooting up around them is nearly irresistible, and the accompanying recipe for the sauce of almonds, tomatoes, garlic, hot peppers, vinegar and oil into which the onions are dipped is, well, also irresistible. Breads, cheeses, coffee, wines, sherry, waters, meats, herbs, vegetables, seafood, sweets, fruits, olives and olive oils—each region’s specialties are presented in a cacophony of color that bursts forth in a mouthwatering display. Reading through this—half-reading, half-skimming actually—reawakened, at least temporarily, my interest in making calçotada when we fire up the grill next weekend. Isn’t that what a good cookbook should do?

The last two books, both of them begun and still in progress came in for review. Kate Field: The Many Lives of a Nineteenth-Century American Journalist is the story of one of the first celebrity journalists. Normally I hate celebrity anything. I have no idea who is the current darling and who is the current “baddie” of today’s personality-obsessed media. In the nineteenth century, of course, celebrity had a different meaning because celebrities of note then had achieved something worthy. This woman would have turned up her nose at George Clooney. The book itself, a university press book, seems a bit slow at the start but it still has my attention. Let’s hope it keeps it.

The second one begun is not a read as much as a guide, specifically a travel guide. Novel Destinations: Literary Landmarks from Jane Austen’s Bath to Ernest Hemingway’s Key West is a rather intriguing look at places connected to books and authors in a variety of ways. Though all of the information is no doubt available online, this book has brought much of it together in a delightful format that I will talk more about in my editor’s letter next week.

Finally, another start. I’ve barely begun—in fact I am only on page three—of a mystery I picked up at BEA. I’m not much of a mystery fan but this one’s cover intrigued me. It’s a lovely B&W photograph of a Paris street corner with a building on the corner lit from inside. Large windows frame the quiet scene. A bicycle on the opposite corner leans against a tree trunk. With the exception of what appears to be one man in the building, no one is around. The title, Murder in the Rue de Paradis, spills across the top in what appears to be black on white, but is actually, when the book is turned just right, purple. I have hopes for a fun read.

It has been a fantastic week, this one of gulping books. I don’t feel I missed anything because I don’t feel I rushed. It was not a speed-reading session. I wasn’t meeting some self-imposed goal or someone else’s. Rather, the sensation I had (and may still have since it is nearing bedtime, but the unfinished books are still calling out to me) was one of ecstasy, of wanting to inhabit the books, the stories, the places and the people. I wanted to feel what I was reading, to know intimately and in every way possible the books I chose. It was, I suppose, an ultimate reading adventure, one that satiates even as it creates an appetite for more.

This Week . . .
Mercury Theatre on the Air is most closely associated with Orson Welles and his infamous 1938 production of H.G. Wells’ War of the Worlds. The story of the panic this radio show caused among those who didn’t realize it was only entertainment is well known, but how many have heard the actual broadcast or those of other Mercury Theatre shows that were popular fare at the time?

According to Art Pierce, the Mercury Theatre was the result of the collaboration of John Houseman and theatre “boy wonder” Orson Welles. Its reputation for quality was based on several factors, most notably that stories chosen for the air were based on their “suitability to the radio medium.” But the sound effects and music as well as Welles’ excellent performances and those of the cast (chosen not for names but for their ability) enabled the excellence.

The opening presentation was Dracula, and other classical stories followed. When terror broke out during the War of the Worlds presentation Welles offered apologies later, but the resulting national and even international attention gained him a corporate sponsor (the name changing to the Campbell Playhouse), a better time slot and more money. When Welles moved on, the Playhouse continued for a while with Houseman. Welles even later produced and starred in more radio series, but none reached the quality of the original Mercury Theatre.

Now it is possible to enjoy those original Mercury Theatre on the Air productions online thanks to Kim Sacrborough and others. Do listen, to all of them. It is an extraordinary experience to hear, as your parents or grandparents did, these original radio dramas that are not only important historical audio records, but brilliant entertainment.  

Until next week, read well, read often and read on!

Lauren
 
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